Albums

New Music Tuesday 10.16.12

by soandyway
"Pines" by A Fine Frenzy
“Pines” by A Fine Frenzy

Pines is a record that I can get behind. The latest record by A Fine Frenzy not only tells a story, but celebrates it. The album contains 13 tracks that aren’t afraid to paint a picture as well as entertain. This is definitely a headphone record. Whispered vocals, subtle arrangements, and delicate ambiance combine to make Pines an extremely theatrical aural experience. The story of the album is about a tree that has free will bestowed upon it. I know how that may sound to some, but trust me, its not as ‘precious’ as you may think. Much of the album features quiet, light acoustic instrumentation that sets up perfect contrast heavier moments. Dynamic production is the highlight of this album, and though I have placed a track from the record below (‘Avalanches’) I’m not going to recommend any other. You should take the time with this record as a whole. Let it win you over. And when it does, be sure to check out the interactive eStorybook that was created in order to help tell the album’s story. It is available in the iTunes store, and there is a link to it at A Fine Frenzy’s website. Put the record on, relax, and enjoy the experience of falling in love with truly fantastic art.

PLAYLIST COMPANIONS: Andrew Bird, Lisa Hannigan, Florence + The Machine, storytelling in general.

"Former Lives" by Ben Gibbard
“Former Lives” by Ben Gibbard

Ben Gibbard makes his solo debut with Former Lives, a collection of tunes written over an eight year span. If you’re a fan of any of Gibbard’s other projects (Death Cab For Cutie, The Postal Service, All-Time Quarterback!) you will be very pleased with this record. Gibbard has a gift for crafting warm melodies that seem familiar to the listener. Not because he is ripping anyone off, but because his delivery is so inviting that the tunes feel like they have always been a part of you. ‘Bigger Than Love’ is a duet with Aimee Mann that marches along a driving tempo and bright melody. ‘Teardrop Windows’ (below) is a nostalgic ode to a bygone era. Its clean riffs and melodic structure brings to mind mid sixties pop, and you can almost hear Roy Orbison singing along. Former Lives proves that Gibbard is not afraid to experiment, featuring an a cappella tune (‘Shepherd’s Bush Lullaby’), as well as a mariachi influenced track (‘Something’s Rattling (Cowpoke)’). The reverb soaked vocals and production on ‘Duncan, Where Have You Gone?’ make the track sound like a long lost John Lennon tune. Former Lives is a delightful selection of tunes by one of this generations top songwriters, and is very worth your time. This week only, you can get the album for just $5 over at Amazon MP3.

PLAYLIST COMPANIONS: Elliot Smiith, John Lennon, Two Door Cinema Club

"Vital" by Anberlin
“Vital” by Anberlin

Within ten seconds of Vital, fans of Anberlin should have a big smile on their face. By the final punch of the aptly named lead off track ‘Self-Starter’, your neck should be sore from aggressive head nods. Anberlin has always been best when they explore the passionate side of aggression, the light within the darkness, and that is exactly what Vital is all about. The blistering guitar solo in ‘Little Tyrants’ screams along the track’s fist pumping backdrop, punctuating what was an already triumphant track. First single ‘Someone Anyone’ (below) is a great snapshot of what the rest of the album has to offer, crushing guitars, energetic rhythms, and some of Stephen Christian’s best vocal work to date. The layered ‘Type Three’ is one of the albums strongest tracks, a gentler number with tinges of acoustic guitar and piano that will help you get lost in the melody. ‘Orpheum’ is another highlight, an exciting mix of big synths and powerful riffs. Vital is an extremely strong record, one that demands your attention.

PLAYLIST COMPANIONS: Foo Fighters, Sevendust, Boys Night Out, Linkin Park

by soandyway

Happy New Music Tuesday! This week sees new records by Muse and Matt and Kim! Check it out over at SoAndyway.com!

(via New Music Tuesday 10.2.12)

New Music Tuesday 10.2.12

by soandyway
"The 2nd Law" by Muse
“The 2nd Law” by Muse

While everyone was complaining about them mentioning their influences, progressive powerhouse Muse have created and released one of their best albums. The ‘hotly debated among people who haven’t heard a single note of it’ record in question is The 2nd Law, and it is one of the best aural journeys you will take this year. The lesson to be learned by all the bloggers, tweeters, and other social media users out there is this: Shut up and listen. They were so focused on the possible inclusion of Dubstep in their beloved perennial experimenters music that they didn’t listen to anything else the band had to say. Yes, there are tracks that have a Dubstep influence, but the band also manage to seamlessly weave in Classic rock, Metal, Electronica, Progressive Rock, Funk, Broadway Pop, Classical, and U2 inspired Power Pop. Seeing as how the “Dreaded” Dubstep’s roots are firmly in Metal/Prog Rock, not to mention the band’s love of aggressive electronic sounds has been evident across their entire discography, this marriage should be viewed as a natural one. Couple that with the fact that there is only one track to wear this influence on its sleeve (The 2nd Law: Unsustainable), everyone who panicked and trashed the band publicly should feel embarrassed. What is truly remarkable though, is that the track is meant to be the sonic representation of panic and fear, juxtaposed against the suite’s calmer continuation (The 2nd Law: Isolated System).

I felt that all needed to be said about the ridiculous pomp leading up to the album’s release, but how about we look at the album itself? Opening march “Supremacy” is a triumphant salvo that sets the adventurous mood upfront. Lead singles “Madness” (below) and “Survival” are as killer as any of the bands catalog, with sways and swells that explore the bands Queen influence in a fresh light. The funky bass driven intro to “Panic Station” will have your head bobbing involuntarily across the danceable three minute tune. The aforementioned title tracked suite that ends the record is some of Muse’s most poetic and bold work to date, a truly remarkable pair of art rock. Muse has long proven themselves to be masters of mashing up genres while staying true to their core, and the fantastic The 2nd Law is another chapter in their ever ascending career. This album deserves nothing but praise, and the music is perfectly capable of arguing that for itself. However, its now time for me to shut up about it, and you to listen.

"Lightning" by Matt and Kim
“Lightning” by Matt and Kim

Indie darlings Matt and Kim have returned with another sunny festival of block party ready tunes. Lightning will certainly delight fans, and anyone not on board with this fantastic duo should certainly take notice this time around. Bright opener “Let’s Go” (below) is the kind of track that you’ll be humming for a week after just one listen. “Now” is a pulsating power pop jam that shimmies and sparkles. Rippling synths lay the bed for “Overexposed” and set the tracks bubbly tone. The piano led “Ten Dollars I Found” brings the party to an eloquent close after just ten short tracks. The tune is anthemic and broad in scope, but never lets go of that homemade feeling that makes the rest of Lightning so inviting. This is the kind of album that will have you smiling subconsciously throughout, and any of its tracks are sure to brighten up any playlist. This is a must add to your library.

New Music Tuesday 9.25.12

by soandyway
"Uno!" by Green Day
“Uno!” by Green Day

The first in an already recorded trilogy of records Green Day‘s Uno! is sure to spark a lot of conversation about the punk rockers. A lot of the record feels in many ways like a career retrospective, which can be taken as either a negative or a positive. Longtime fans will notice the nods to Nimrod and Warning era, and the band will take a lot of flack for this. I think this referential tone was done on purpose. Any follow up to the massive undertaking that was the combined success of American Idiot and 21st Century Breakdown was bound to cause the band to look back on where they had come from, and perhaps this trilogy is meant to acknowledge the past as well as the future. The band feels freshest on tunes like “Let Yourself Go” and “Kill The DJ”. The former rages for its near three minute run time and boasts a frenetic guitar solo, while the latter incorporates some near reggae/funk influences into the bands trademark sound. Lead off scorcher “Nuclear Family” (Below) sees some of Bille Joe Armstrong‘s best lyrical work on the record. “Troublemaker” and “Loss Of Control” enjoy a Classic Rock influence that gives the tracks an exciting tone. Uno! will please fans of the bands 2000’s era output, and may surprise a few people.

"Babel" by Mumford & Sons
“Babel” by Mumford & Sons

Having struck up an affinity for bluegrass and other folksy styles in recent years, it seems as though Mumford & Sons have hit me at the perfect time. If you loved their debut record, there is much to love about Babel. The band certainly has a strong sense of who they are, and all the elements that made Sigh No More special are present, but turned up to eleven. Babel is not going to surprise anyone, but it is a stronger representation of what makes the band great. I don’t mean to say the Babel is a better record than its predecessor, but rather that the band that made this record is much more confident in its approach. They have sold millions of records across continents, and they have played to sold out arenas across the world. The record opens with the trio of barn burners including the title track, “Whispers In The Dark” and “I Will Wait” (Below). “Ghosts That We Know” is a passionate ballad that is sure to receive a lot of airplay, and I’d be mystified if it doesn’t end up in a film somewhere. “Love Of The Light” swells and crashes on a grand scale. Intensely passionate and melodic, Babel is a record that will demand your attention.

by soandyway

New Music Tuesday 9.18.12

“The Sound Of The Life Of The Mind” by Ben Folds Five

For Ben Folds Fivefans, the wait is finally…

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New Music Tuesday 9.18.12

by soandyway
"The Sound Of The Life Of The Mind" by Ben Folds Five
“The Sound Of The Life Of The Mind” by Ben Folds Five

For Ben Folds Five fans, the wait is finally over. The trio’s first album in thirteen years, The Sound Of The Life Of The Mind, is here and it was well worth the wait. Songs like first single ‘Do It Anyway’ (below) show that despite the passing of over a decade, the band can still rock with the same exuberance that their earlier albums enjoyed. The track features Robert Sledge‘s trademark fuzzed out incredible bass work, and drummer Darren Jessee pounds out the rhythms as passionately as ever. ‘Hold That Thought’ is rich with harmony and a warm, inviting melody. Ballads ‘Sky High’ and the breathtaking “Away When You Were Here” show the bands versatility. They can rock with the best of them, but its the dynamic between the rockers and softer tunes that give this album its place next to the bands previous records. ‘Thank You For Breaking My Heart’ closes the record in expert fashion, leaving you with one of Folds’ finest ballads ever. Ben Folds Five are back, and after hearing “The Sound Of The Life Of The Mind“, you’ll feel like they never left. Pick up a copy today.

"Mirage Rock" by Band Of Horses
“Mirage Rock” by Band Of Horses

Mirage Rock is filled with inviting, well crafted rock. Band Of Horses shows a strong Americana influence on the record, especially on songs like ‘Slow Cruel Hands Of Time’ and ‘Shut-In Tourist’. The vocal work by Ben Bridwell certainly has a hand in that world, but his haunting tenor lends itself to just about any influence the band tackle. ‘Knock-Knock’ (below) kick things off with fuzzed out guitars and “woo-ooh’s” reminiscent of The Beach Boys. The bass lead in of ‘Dumpster World’ sets up a moody, cowboy-noir like shuffle that erupts into a heavy, distorted march. ‘Electric Music’ is a bright track that echos the tumble and bounce of early rock and roll but never sounds dated or well worn. Mirage Rock is the kind of record that would fit perfectly with an autumn campfire, equal parts exciting and mellow. It is certainly worth adding to your collection.

Battle Born by The Killers
Battle Born by The Killers

After a short hiatus that many expected to be the end of the band, The Killers have brought us Battle Born, a record that may arguably be the band’s finest album to date. The record is slightly darker in tone than previous efforts, but it includes all of the rock and roll bombast we’ve come to expect from Brandon Flowers and company. All of the bands previously explored influences find a comfortable home on Battle Born. ‘Flesh and Bone’ begins the record with an electro pulse that gives way to an exciting track that summarizes the sounds that we will hear later on in the disc. Single ‘Runaways’ (below) has all the shimmer and power we’ve come to expect from a Killers single, but has a magic all its own. The driving ‘Miss Atomic Bomb’ grabs a hold of the listener and doesn’t relent for its near five minute run time. Electro acrobatics crescendo into an american rock pulse on ‘The Rising Tide’, a track that will draw many comparisons to other artists but its chorus is unmistakably the bands own. The track also features an exciting guitar solo, a seemingly lost art these days. I was not hotly anticipating Battle Born, but I am delighted to say that my preconceptions were wrong. This a truly fine record, one I know I’ll be spinning for a while.

by soandyway

#NowPlaying #AlbumOfTheDay #TheWorldWeKnow by #ICanMakeAMessLikeNoboysBusiness #Albums #NewAlbums #NewReleases #Music #NewMusic #Records #Indie #Rock #Alternative #Folk #AceEnders #TheEarlyNovember #MusicNerd #MusicGeek (Taken with Instagram)

by soandyway

New Music Tuesday 9.11.12

“Theatre Is Evil” by Amanda Palmer & The Grand Theft Orchestra

Amanda Palmeris a true artist in the…

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New Music Tuesday 9.11.12

by soandyway
"Theatre Is Evil" by Amanda Palmer & The Grand Theft Orchestra
“Theatre Is Evil” by Amanda Palmer & The Grand Theft Orchestra

Amanda Palmer is a true artist in the digital age, and with the release of her new album Theatre Is Evil she makes that point even truer. The album was crowd funded through Kickstarter, a fantastic way for fans to support the artist they love, and Palmer’s fans certainly got what they paid for. As a whole, the record is fantastic. Palmer is famous for her brand of cabaret inspired art punk-rock, and while that theme is certainly explored on the record, there are a lot of other influences at play. Synths and effect soaked vocals begin the album on “Smile (Pictures Or It Didn’t Happen)”, and that kind of shoegaze meets electro pop shimmer reappears on other album highlights like the fantastic single “Want It Back” (Censored video below with a link to the NSFW version). “Do It With A Rockstar” pulsates with a punk rock fury that will supercharge your day. Strings blaze through the stunning ‘Trout Heart Replica’, a tender, emotional piano ballad. By the time “Olly Olly Oxen Free” crashes to its thundering close, you will have fallen in love with this beautiful record. I really cannot say enough about this album. If you are the least bit artistically inclined, Amanda Palmer is the kind of artist that will make you want to create. Head over to her website to grab a physical (CD or vinyl!) or digital copy of Theatre Is Evil, rock out, and enjoy.


‘Want It Back (Uncensored NSFW)’

"Love This Giant" by David Byrne and St. Vincent
“Love This Giant” by David Byrne and St. Vincent

I’m not quite sure what I was expecting from this collaboration between David Byrne and St. Vincent, but Love This Giant managed to take me by complete surprise. I mean that in the best way possible about this amazing album. Both of these artists styles are evident on the record, yet they created a sound wholly unique and exciting. Big rhythms and catchy melodies are augmented by beautifully arranged horns that give a feeling of Big Band style records, but don’t get me wrong. While that element is certainly at play here, Love This Giant is definitely not a Big Band album. The way they manage to undercut each arrangement with either an acoustic guitar bed or quick electric riffs is what gives the record its ‘hard to classify’ nature. Lead single “Who” (Below) is a great introduction. If you enjoy that track (and how can you not?), this is a record for you. Equal parts dangerous and safe, you really need to hear Love This Giant. I loved this record, and I know you will too.

Pacifica by The Presets
Pacifica by The Presets

Pacifica is a perfect example of what makes an electronic album great. Terrific songwriting, bouncy beats, bold sounds, and the will to experiment make the latest album by The Presets one not to miss. Hyperactive power pop, disco/funk, and soul all find a home on the disc, sometimes in the same tune. “Youth In Trouble” (Below) gets things off to a toe-tapping start, with the kind of ‘in your face’ vocals fans have come to expect. That mood will shift quickly come the much discussed “Ghosts”, a delicately layered, dreamy, synthpop gem that tells the story of a young soldier injured in war. “Promises” is another album highlight, a bright ode that should make its way on to many playlists as summer winds down. Album closer “Fall Epic” is a magnificent send off to the record, a bare yet powerful ballad that is a showcase for Julian Hamilton‘s intense vocals. The album’s end is moving, and will leave you wanting more. Pacifica is a wonderful record, and a must own.

by soandyway

New Music Tuesday 9.4.12

“Beacon” by Two Door Cinema Club

At least once a month when assembling this post, there is an album…

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